Unknown Country
or Fancy Meeting You Here!
Writing this from the main deck of Holland America’s
M/S Westerdam, I am traveling south west to Cozumel. Looking at the green-blue glorious water, I think
what could be better than this?
The limited phone and internet access is a blissful
break in my restless Pavlovian routine of grabbing and scanning an electronic device
every time a bell chimes. The food is
delicious and everywhere as is the music on this Smooth Jazz Cruise. I have no recourse but to comply with the
required agenda of eat, drink and be merry as I’m entertained by a continuous roster
of musical headliners jamming, jazzing and rocking the boat all day and
night.
Last night Richard Elliot blessed the stage and then
burned it down with his sax. He’s a
musical magician who transformed the showroom into a melodious Mt. Olympus and
in a 6° of separation situation wait for it…
I’m in his entourage! Well it’s really just relaxing with Richard (when he’s not wailing on stage) and getting to know his family members I'd never met like George & Vivian.
As surprising as it frequently seems, it really is a “small world.” Well that’s what it felt like when George & Vivian said they were from Newfoundland.
I’m in his entourage! Well it’s really just relaxing with Richard (when he’s not wailing on stage) and getting to know his family members I'd never met like George & Vivian.
As surprising as it frequently seems, it really is a “small world.” Well that’s what it felt like when George & Vivian said they were from Newfoundland.
Just prior to boarding the M/S Westerdam I was
eyeball deep in preparation and rehearsal for the Fri. Jan. 25th presentation I'm directing in, the Unknown Country play reading series at the Workshop Theater Company in NYC. Oil and Water by Robert Chafe is the soul touching true story of the rescue of the lone black survivor of the 1942 USS Truxton shipwreck off the coast of wait for it… Newfoundland.
Embarking on the Westerdam I thought I’d left the
churning waters and dangerous hulking cliffs of Newfoundland behind. Even though the incident happened way before they were born, George and Vivian Smith’s vivid
retelling of their historic local legend put the world of Chafe’s powerful play
right at hand. The treacherous bluffs, the violent snowstorm, the hundreds dead
and the townspeople determined to save the oil caked survivors freezing along their shoreline.
Vivian had read lots about The Pollux and The Truxton. She recounted how her countrymen living at that time
had never seen a person of color before and in removing the oil, tried to scrub
the black off Lanier Phillips.
George and Vivian had seen numerous TV interviews with Lanier and his rescuers on his multiple return trips to the area. George in his youth was in a band and the folk song, The Ballad of The Truxton and The Pollux, was requested and sung at almost every gig. It feels like Kismet. What could be better than this?
George and Vivian had seen numerous TV interviews with Lanier and his rescuers on his multiple return trips to the area. George in his youth was in a band and the folk song, The Ballad of The Truxton and The Pollux, was requested and sung at almost every gig. It feels like Kismet. What could be better than this?
You Dear Reader, experiencing the wind and snow danger,
the life and death struggle, the Oil and Water of the Truxton’s demise and the
rescue of Lanier Phillips. FREE with
your reservation.
One night only - 8 PM Fri. Jan. 25th -
Workshop Theater Company 312 W. 36th St. 4th fl
One night only - 8 PM Fri. Jan. 25th -
Workshop Theater Company 312 W. 36th St. 4th fl
Make your FREE reservation here and join me
as my theater alter-ego, Passion, directs Oil and Water. Until then for me it is music, food and
laughs with the super star comic on board, Alonzo Bodden.
What could be better that this?
Well, since you asked… opening for any of these
music acts or telling my jokes on a cruise line. Call me.
